The enigmatic Being played by Abigail Thaw. Photo by Paul Walker
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It is behind a password to maintain qualification for film festivals who prefer that entries are not readily available on the web.
Recognising John Wood’s brilliant sound design.
Selected for uHorror Film Festival – a restricted online film festival based in Los Angeles with two days of “screenings” on 26/27 October.
Selected for the Tweetfest 2018 in the F-Rating Category, an actor-centric festival in London. Waiting to hear about screening dates during the festival 25-27 November.
Selected for the HerStory Cinephilia Society Film Festival with a screening on Friday 16 November in Nashville, Tennessee.
Selected for the Ax Wound Film Festival in Brattleboro, Vermont on 9/10 November 2018
Selected for the Unrestricted View Horror Film Festival 2018 with a screening during the London festival (29 Oct – 4 Nov)
Selected for the American Horror Film Festival in Tempe, Arizona with a screening on 19 October 2018.
Selected for the Women over 50 Film Festival with a screening on 23 September in Brighton
Semi-finalist in Directed by Women – NYC-Shorts of All Sorts
Selected for the Women in Horror Film Festival in Peachtree City near Atlanta, Georgia, USA with screening 5 October at 515 in the Thriller programme (also nominated for Best Thriller).
Selected for the SpookScreen Festival in Cork, Ireland with a screening during the festival 6 -9 September.
Selected for the Portobello Film Festival with a screening on 5 September in London.
A little teaser taster while we finished the post production.
Poster designed by John Mundy using photographs by Paul Walker.
The Being: Abigail Thaw
Angie Bradstock: Phillipa Peak
Writer, Director: A D Cooper
Producers: A D Cooper, Steve Croson
Casting Director: Annie Rowe CDG
Cinematographer: Candida Richardson
Camera Assistant: Balan Evans
1st A D: Jack Farrar
Gaffer: Jon Hearn
Make Up Artist: Sarah Grundy
Make Up Assistant: Polly Mercer
Script Supervisor: Sheila McNaught
Sound Recordists: Mark Andrews, Simon Norman
Graphic Designer (Book cover): Paul Crane
Editor: Gary Tobyn
Visual Effects: David King
Composer: Henry Bird
Colourist: Jon Dobson
Sound Designer & Mix: John C Wood
Film Stills Photographer: Paul Walker
Publicity Materials: John Mundy
Catering: Kingfisher Café, Merci Marie & The Dusty Knuckle
Camera Equipment provided by AimImage
Lighting Equipment provided by Location Lighting
Sound Recording Equipment provided by Mark Andrews Sound & Editing Services
Insurance by Essex Insurance
Thanks to Bob & Val Boyle, the Bootstrap Company Ltd, Mary Cooper, Film London Talent Connect, Pip Lacey, Alwyne Kennedy, Paul Lewis, Catherina Golebiowska & Nathan, Mariella Rowe, Andrew Shepherd, Shooting People, David A Smith, Catherine Taylor, Marianna Tobyn and Dan Tsantilis.
Facebook Page: https://www.facebook.com/thepennydroppedshortfilm/
The shoot took place on 8 & 9 September in a dank Dalston bunker in London E8 which proved as challenging as it was appropriate. The project is being entered into film festivals worldwide.
Length: 5.47 minutes (shorter version without end credits 4.55m)
Abigail Thaw (“Endeavour”) plays the role of The Being
Phillipa Peak (“Home Fires”) plays the role of Angie Bradstock.
Angie waits and frets holding the book that made her famous. Photo by Paul Walker
One Reeler Film Festival: Order of Merit
Special Mention: London x4 Seasonal Short Film Festival
Best Sound Design: Southampton International Film Festival
Best Short Short: Women’s Only Entertainment Film Festival 2018
Best Thriller: Women in Horror Film Festival, USA (TBA)
Best Short: American Horror Film Festival (TBA)
Semi-finalist in Women’s Film Initiative in the Audience Awards in the USA
Best Cinematography in a Short: Southampton International Film Festival 2017
Best Live Action: Purbeck Film Festival 2017
Best Cinematography: Underwire Film Festival 2017
Best Picture: LA Neo Noir Novel, Film and Script Festival 2018
“Angie” (Phillipa Peak) Photo by Paul Walker
Photo by Paul Walker
Simon Norman, sound recordist, strikes a pose with his boom mic
Even script supervisor Sheila McNaught looks spooky in the half light.
Waiting for the close up. Photo by Paul Walker.
Angie’s book, with graphics designed by Paul Crane.
A sense of the bunker location in Dalston E8. Note the moisture in the light beam. It was damp and drippy down there. Photo by Paul Walker
Canny Richardson (cinematographer nominated for two awards for this film) and Balan Evans (AC) busy with their lenses. Photo by Paul Walker
Editor Gary Tobyn at work refining the cuts. The film had to be under 5 mins for the WFTV/Lifetime TV competition which was a tough discipline but it kept the narrative from lagging.
Sound designer and mixer, the legendary John “Fingers” Wood finesses the spot effects with the music by Henry Bird. John’s work resulted in a Best Sound Design award.
The poster and postcards designed by John Mundy using Paul Walker’s photographs.
The last stage before the online. Colourist Jon Dobson checks that the grade works on different screens.
The DVDs also designed by John Mundy.
Jennifer Dean, film maker & curator at Directed by Women – NYC-Shorts
of All Sorts